Willem Frederik Hermans

Biography

Willem Frederik Hermans (1921-1995) is one of the greatest post-war Dutch authors. Before devoting his entire life to writing, Hermans had been teaching Physical Geography at the University of Groningen for many years. He had already started writing and publishing in magazines at a young age. His polemic and provocative style led to a court case as early as 1952. His caustic pieces were compiled in Mandarijnen op zwavelzuur (Mandarines in Sulphuric Acid, 1963), which was reprinted with additions a number of times. It is Hermans’s belief that in order to survive people have to create own reality. It is inevitable that all these experiences of reality will collide. Language is essential to create order out of chaos and plays an important role in this process. In his essays on Wittgenstein, Hermans studied this problem in depth. In his novels and stories Hermans places his characters in a world of certainty for themselves but equivocal for the reader. It is in this field of tension that the intrigue in De tranen der acacia’s (Acacia’s Tears, 1949) and in De donkere kamer van Damocles (The Darkroom of Damocles, 1958) develops. Although stories such as Moedwil en misverstand (Malice and Misunderstanding) and Paranoia have a surrealistic tendency, Hermans’ novels The Darkroom Of Damocles, Nooit meer slapen (Beyond Sleep), Uit talloos veel miljoenen (From Countless Millions) are more realistic or satirical and everything in his rich oeuvre is subordinate to the author’s pessimistic philosophy.

Titles

The Safe House

(Het behouden huis, 1951)

The Safe House is a novella of great literary value. Like the work of Jean-Paul Sartre, it shows the effects of war on individuals. Hermans plumbs the madness of war in a subtle yet gripping way, describing how people are thrown back on their own resources in wartime. Continued...

The Darkroom of Damocles

(De donkere kamer van Damocles, 1958)

Willem Frederik Hermans was an adolescent in Amsterdam during the Second World War, a period that made an indelible impression on him, compounded by his older sister and cousin committing suicide soon after the German invasion in 1940. Hermans often chooses the war as backdrop for his novels, since it is an environment in which malice and misunderstanding, and the pointlessness of our existence can best be brought to the surface. The Darkroom of Damocles is no exception. Continued...

Beyond Sleep

(Nooit meer slapen, 1966)

Beyond Sleep is the oppressive story, of young geologist Alfred Issendorf. Like all scientists, he dreams of fame and immortality. Along with a young geologist called Arne and two assistants, he sets off for the North Cape on a research trip, intending to prove that the region’s lakes were created by meteorites. Continued...

Au Pair

(Au Pair, 1989)

Pauline, a Dutch student, wishes to study in Paris and gets a job as an au pair. At the first family she works for, she lives in a miserable little attic room and they make her pay for her breakfasts. In the second family there is an old general, his wife, sons, a grandson and a number of servants. There she is living on Easy Street: she has a beautiful room, clothes, shoes, whatever she desires. She really does not have to lift a finger for anything. Every so often she listens to the general’s stories about the war and about the artist Guys, who has also worked in her home town of Vlissingen. Continued...

In The Mist Of The Spirit Realm

(In de mist van het schimmenrijk, 1993)

Willem Frederik Hermans generally makes no attempt to make a secret of his opinions. On the subject of the diary as a literary form, he is on record as describing it as insipid realism, a cheap way to produce a text: “Everything can be coincidental, nothing has to be rounded off.? Continued...