Willem Frederik Hermans

The Safe House (Het behouden huis)

How do people survive a war with their moral standing intact?

The Safe House is a novella of great literary value. Like the work of Jean-Paul Sartre, it shows the effects of war on individuals. Hermans plumbs the madness of war in a subtle yet gripping way, describing how people are thrown back on their own resources in wartime.

How do people survive a war with their moral standing intact? How do they avoid going insane? These are existential questions, ultimately impossible to answer, but The Safe House makes them urgent and vivid. How can we relate to other people? Are they allies, enemies, or traitors? How do people position themselves, what kinds of choices are available, in a state of total war?

In his evocative, sensual style, Hermans describes war as an attack on the senses, portraying its consciousness-raising and consciousness-dampening powers to magisterial effect. The book is richly expressive in language and imagery, but the mood is oppressive. The reader feels compelled to respond to the book’s existential questions: how would he or she behave amid the madness of a world war?

The novel is set during the Second World War and the narrator belongs to a group of partisans fighting the Germans. In essence, however, the story is universal.

Publisher

De Bezige Bij
Van Miereveldstraat 1
NL - 1071 DW Amsterdam
TEL. +31 20 305 98 10
FAX +31 20 305 98 24
E-mail: info@debezigebij.nl
Website: www.debezigebij.nl


Publishing details

Het behouden huis (1951, 97 pp)

Het behouden huis

Biography

Willem Frederik Hermans (1921-1995) is one of the greatest post-war Dutch authors. Before devoting his entire life to writing, Hermans had been teaching Physical Geography at the University of Groningen for many years. He had already started writing and publishing in magazines at a young age. His polemic and provocative style led to a court case as early as 1952. His caustic pieces were compiled in Mandarijnen op zwavelzuur (Mandarines in Sulphuric Acid, 1963), which was reprinted with additions a number of times. It is Hermans’s belief that in order to survive people have to create own reality. It is inevitable that all these experiences of reality will collide. Language is essential to create order out of chaos and plays an important role in this process. In his essays on Wittgenstein, Hermans studied this problem in depth. In his novels and stories Hermans places his characters in a world of certainty for themselves but equivocal for the reader. It is in this field of tension that the intrigue in De tranen der acacia’s (Acacia’s Tears, 1949) and in De donkere kamer van Damocles (The Darkroom of Damocles, 1958) develops. Although stories such as Moedwil en misverstand (Malice and Misunderstanding) and Paranoia have a surrealistic tendency, Hermans’ novels The Darkroom Of Damocles, Nooit meer slapen (Beyond Sleep), Uit talloos veel miljoenen (From Countless Millions) are more realistic or satirical and everything in his rich oeuvre is subordinate to the author’s pessimistic philosophy.

Website: www.willemfrederikhermans.nl

Quotes

Hermans is a prominent European author who has continued the tradition of E.T.A. Hoffman, Kleist, Kafka, Céline and Sartre in his own unique way.

Neue Zürcher Zeitung

There is his accurate delineation of place, the inscrutability of his characters and a fascination with language’s capacity to order reality.

Times Literary Supplement

Translations

  • The house of refuge. s.l.: n.n.NL, 1961
  • The house of refuge. New York: Simon & Schuster, 1966
  • La casa vuota. Milano: BUR, RCS Libri, 2005
  • Continued...

Rights sold